Every little bit counts

My 2019 resolution was to try hard to knit all usable quantities of a colorway before I proceed to a new yarn for a new project. Kind of “finish your peas before you eat dessert” thing. Well, except that Schoppel-Woole Zauberball and Cascade Yarns Superwash Sport are hardly the peas of the yarn world. Apologies, to you pea lovers, but peas taste terrible and I bet somewhere deep down you know that too.

So, first I used a smidge of the Daffodil colorway to knit my Annita Wilschut Vera bear a rain hat.

Perfect. That was in the summer of 2014.

My Daffodil languished. Next, in the fall of 2018 I knit Wolkig in my black/gray/white Zauberball.

I broke into the  Daffodil for the cuffs of my adult moc-o-socs.

Such a great pattern by Rebekah Berkompas.

Then, with most of the leftover Zauberball and a dainty amount of the Cascade 220 sport Daffodil, I knit Justyna Losorska’s freebie beanie, Fasolka. I followed her instructions exactly, except that I went my own way on the color combination.

I see this sportweight hat as a great success. It even has an excellent crown, with no hint of the dreaded pointy beanie syndrome.

The Zauberball colorway worked out so excellently, I will be indulgent and give you another view.

What next to knit. I’d been eager to give Cecelia Compochiaro’s “sequence” knitting a try. My first attempt was her Swirl Hat, using her spiral sequence method.

If case you haven’t heard about or tried sequence knitting yet, let me intrigue you. All the patterning on this hat repeats the same 10-stitch sequence. Yep, the diagonal slices, separated by a few rows of stockinette, are several rounds of the same sequence worked over and over again, ignoring the end-of-round marker. The shift in the direction of the slice happens magically (or so it seems to me) by a minor adjustment to the number of stitches in the round that happens in the stockinette section.

There was even enough Zauberball left for a right-sized pompom.

My Cascade 220 superwash sport hadn’t run out yet, so I couldn’t quit on it. This next hat is Susan Villas Lewis’s Vitruvian Man.

The Vitruvian Man, at least the one who isn’t a hat, is DaVinci’s drawing of a man stretched out in a circle, with his arms stuffed into the top of a square and his legs stuffed in the bottom of a circle. You know, this guy:

It’s a fun motif to knit. The entire hat is very cleverly designed.

Check out the great crown.

I have a big gumball sized ball of Zauberball left. And what’s left of my Cascade 220 sport isn’t quite a golf-ball sized ball. Every useful bit is used up.

I tamed the Oopado!

PicMonkey Collage

What’s the Oopado? The first question is what’s the Ravelry GAL. The GAL is the Ravelry Indie Design Gift-a-long, an annual event where knitters and crocheters prepare for the holidays as only fiber folks can. With support and encouragement from others on Ravelry, and with a beginning two weeks or so of discounted patterns, the GAL runs from the week before U.S. Thanksgiving to New Year’s Eve. There are eight categories of paid patterns to choose from:

  • Hats & other head things
  • Cowls, scarves, & other neck things
  • Shawls & stoles
  • Sweaters & other garments
  • Hand & arm things
  • Kids & baby things (except toys)
  • Foot & leg things
  • Toys, home, & other miscellaneous things

And taming the oopado? It’s when a knitter knits at least one item from each of the 8 categories before the GAL closes.

The smaller items? Piece ‘o cake. But also finishing a shawl and a garment? I wasn’t sure I’d make it. Some forced idleness over the holidays was quite a boon to my knitting and I finished all I’d planned.

Starting with the small stuff, this is Coffee Klatch, by 10 Hours or Less. It’s a fun mosaic dishcloth, knit here in Knitpicks Dishie:

CoffeeKlatch

Regular readers know I’m a sucker for mosaic dishcloths and this one is definitely a keeper!  Actually, though, I gave it away. I’m quite sure another is in my near future.

This is Jennifer Boot Cuffs, by Kate Bostick of Cowtown Knits.

Jennifercuffs2

You can probably tell from the pristine condition of my boots, that we haven’t had much snow in Michigan yet this year. My cuffs are knit in humble, very serviceable Lion Brand Heartland. Actually, they aren’t my boot cuffs. They are now my niece Melanie’s boot cuffs. Here’s a closer look.

JenniferCuffs

My choice from the hand category is Aimee Alexander’s Farm to Market Mitts. Mine are knit in Stonehedge Fiber Shepherd’s Wool DK, a wonderful yarn that’s been discontinued.

Farm2Market

I’ve knit Farm to Market Mitts three times before and haven’t yet kept a pair for me. These are mine. They are tucked in my coat pocket. It’s very odd. I didn’t notice until just this very minute, that I’ve got a major goof on the first cable on the right mitt. That must be why I kept them for me.

My hat choice was another Susan Vilas Lewis (Stay Toasty) interesting knit: Vitruvian Man, again in Shepherd’s Wool DK.

vitruvian_hat

Here’s who inspired the hat’s main motif:

url

Honestly, I didn’t know his name. But I’ve certainly seen the image many times, the Leonardo da Vinci guy with the extra limbs, with his arms trapped in the square and his legs trapped in the circle. You can read all about Vitruvian Man here. For present purposes, he’s an excellent hat.

Here’s the top of his head.

vitruvian_hat_top

My neck category selection is Nocturne in M, by Simone Kereit of OwlCat Designs. It’s a one-skein, asymmetrical keyhole scarf. The “M” thing is because Kereit designed it for Malabrigo Rios. Rios is wonderfully soft. It’s one of those I can’t-say-enough-good-things-about-this-yarn yarns. Especially when yarns and necks will be rubbing elbows.

nocturne

I’m told that the Archangel colorway I used is very popular. I definitely like it. You can clearly see how the shades and colors evolved throughout the skein.

Next, in the baby & kids category, is Georgie Hallam’s Milo. There are 10,144 project pages on Milo. It’s an amazingly versatile little garment, sized from newborn to 6 years. Mine is knit in Debbie Bliss Rialto DK, sized for a nine month old.

milo

When the Masterpiece Theatre production of Jane Eyre came out in late 2007, Ravelry was abuzz with discussion of Jane’s rustic shawl. Carol Sunday came to the rescue and soon developed and released “To Eyre…,” complete with that great garter stitch ruffle.

eyre

eyre4

Keep in mind that what is itch to many people is cozy to me, but a rustic shawl needs a rustic yarn. Harrisville Design’s WATERshed fit the bill. This is the Mallard colorway. I really like this shawl. But as a friend commented, I won’t be mistaken for Kate Middleton when I wear it. To Eyre satisfied the shawl/stole GAL category.

This is my GAL selection in the garment category: another Georgie Hallam (TIKKIknits) design: Summer Carnival. It’s such a sweet and simple thing.

carnival4

There’s a lovely brooch pattern in the heart position. And another set of three medallions (carnival/ferris wheels) on the right front near the bottom ribbing.

carnival

My Summer Carnival is knit in Classic Elite Fresco, a 3-ply sportweight mix of 60% wool, 30% alpaca, 10% angora. The colorway is 5306, which isn’t showing on the current CE product page. They would usually mean it’s been discontinued. I hope not because straw is an interesting vintage shade.

Hallam’s pattern has a 1950’s sensibility to it. I can see Doris Day wearing this.

carnival3

Thanks to all the Indie Designers who worked so hard to make the third annual Ravelry GAL so much fun. They organized giveaways, gave away lots of encouragement, and gave gobs of discounts. They’re a talented and generous bunch and the knitting universe is fortunate to have them.

Opadoo2