If I have any regular readers, he may remember my “EZ Does It” post where I wrote about Elizabeth Zimmermann who encouraged knitters to bushwhack their own trail through the craft. London knitter and design student Yuvinia Yuhadi, through the magic of Ravelry, her wonderful pattern and her own knitted chair cover blog, has encouraged me to create a covering for one of those plastic chairs that have popped up everywhere. This NY Times photo essay by Todd Heisler shows just how internationally ubiquitous the chairs have become. But no one has a chair like mine.
I tried to imagine my grandmother’s old chenille bedspread as I designed this, using Sirdar Bigga yarn. Twenty three skeins of Bigga in all. There is garter stitch, reverse garter stitch, bowtie stitch (also know as buttonhole stitch), slip stitch bricks, bobbles galore, tube stitch (including with embedded bobbles), salt and pepper work, and even nice deep welts. I could not be more pleased at how it turned out. Thank you Yuvinia!
This chair is going to find a permanent home in my bedroom at the Long Lake house.
If there are any Cat Whisperers out there who can teach me the calm, assertive energy I need to keep my cat Hoover off the chair until I take it up north, I’d welcome your advice. I’ve surrendered. The chair is locked in a closet. Every few hours I open the door and I am amazed, again, that Yuvee thought of this.
“EZ.” Elizabeth Zimmermann to non-knitters. She is widely accepted as the mother of modern knitting. Some call her the Jerry Garcia of knitting. When she died in 1999, her NY Times obituary said that she “brought a penetrating intellect and a sculptor’s sensitivity to revolutionizing the ancient art of knitting.” It quoted from the preface of one of Zimmermann’s early books, “Knitters Almanac:” “In knitting there are ancient possibilities. The earth is enriched with the dust of millions of knitters who have held wool and needles since the beginning of sheep.”
Knitters will know that the hat is Zimmermann’s spiral hat. It is the warmest hat there is–knitted of superbulky weight wool from her company, Schoolhouse Press, now run by Zimmermann’s daughter Meg Swanson. (The acorn did not fall far from the tree. Swanson is a master knitter, knit designer and teacher.) And the mittens? They are Sideways Mystery Mittens, knit in bold colors to show off the construction of the mitten. At a first knit, a knitter will be half way through the mitten before she sees how its shape is forming. Zimmermann rediscovered the use of the moebius in knitting. And ribwarmers. And socks, oh my–could Elizabeth design socks. Near the end of her life, we are told Elizabeth could not knit. I am happy for her that she did not remember what she was missing. Knitters around the world continue to find inspiration in her ground-breaking body of work. She encouraged knitters to free themselves from the tyranny of the pattern and gently prodded us “blind followers” to enrich our craft by finding its new and old expressions.
You know those ubiquitous plastic chairs that have popped up everywhere? I am about to start knitting two chair covers for my beige pair. I want to use Yuvinia Yuhadi’s “Not So Ubiquitous Knitted Chair” pattern, but I want to do it my own way. I have stashed the yarn. I have studied books and charts for inspiration. I have read Yuhadi’s pattern. Blind following is easy. EZ’s call for bushwhacking your own knitting trail is harder.
“Knit on, with confidence and hope, through all crises.” Elizabeth Zimmerman