Humble house stuff

If you visit this blog more often than every few months chances are you’ll see that I frequently knit dishcloths. Yep. I like to knit one of the most often poke-funable knits out there: dishcloths. Maybe second only to toilet paper roll covers. But those are more often crocheted. For me dishcloths are a ton ‘o fun. Quick gratification. And I have people around me who love to receive these things. Plus we use them a lot in our kitchen.

You’re probably wondering about these humble houses. They’re a new pattern from Amy Marie Vold: Cape Cottage. This slip-stitch (mosaic) pattern is available as one pattern download. But it’s also included as one of the six patterns in her New England Village ebook.

I knit my Cape Cods in Knit Picks Dishie. Dishie isn’t as rustic a yarn as Lily’s Sugar ‘n Cream, the dishcloth yarn that’s many knitters’ first choice. But I like its slightly more refined appearance.

And, just for the fun of it, I often knit these mosaic cloths in pairs, switching out the main and contrasting color.

Speaking of colors, I like to keep a good supply of Dishie colors in my stash.

I can admittedly go a tad overboard. I buy only the Dishie sales and make my yarn bucks stretch. It’s good stuff put up in 100 gram balls.

This Jalepeno/Creme Brulee Dishie creation is another in Vold’s New England Village Ebook: Cozy Saltbox. It’s a quick fun knit and you end up with something useful.

What New England village would be complete without an Old School?

Now, for a spelling rant. I know that extra e’s are often used for…for…for some reason. The name of this pattern is actually “Olde” with a superfluous Middle English “e.” I think it’s supposed to flag something that’s quaint. Comfortably old-fashioned as in Ye Olde Cheese Shoppe. It mostly makes my inner editor curdle though.

Olde School Dishcloth is a wonderful, rhythmic knit. I used Queensland Collection’s Coastal Cotton. My sense of it is it’s a tad beefier than Dishie but a tad less rustic as compared to Sugar ‘n Cream.

I’ve stocked a nice selection of Coastal Cotton too.

Here’s another fun set, knit in Coastal Cotton:

I can’t resist calling this pair my Knittany Lions because their muzzles make them look like a Nittany Lion. Yes, the Penn State team mascot. But also the mountain lion that apparently once lived on Pennsylvania’s Mount Nittany. Anyway, the pattern’s name is Tame the Dishes. That works.

Next up is a set of dishcloths, freebies, designed by Joan Janes. I knit her trio of cloths, Three Dishcloths, in Coastal Cotton.

Janes designed the patterns to use only one skein of Sugar ‘n Cream. I prefer less dainty sized cloths than a 30-stitch cast-on will produce, as in the Waffle pattern in the foreground. That pattern works with any multiple of 4, plus 2. So I cast on 42 and ended up with about a 7 inch square, using only 24 grams of yarn. The Garter Basketweave pattern in the middle works with a multiple of 4, plus 3. I cast on 43 and ended up with a cloth about 7.5 inches square. That one took 32 grams of yarn. The Ridge & Rib pattern in the back works with an odd number of stitches. I cast on 37 and 26 grams left me with a square of about 7 inches.

Sometimes a dishcloth knitter wants a basically mindless pattern. Janes’s trio of cloths is great for such times.

Louise Sarazzin’s Sunflower Basket is not challenging but it’s also not mindless. Goldilocks might say it’s “just right.”

That’s Dishie on the left in Creme Brulee and Coastal Cotton on the right in Goldenrod.

Until working this pattern I’d never worked the vertical wrap stitch that appears throughout the flower basket. It’s easy. On a wrong-side row you work a yarn over, slip one stitch purlwise with yarn in the back, knit one across the length of the basket. You’re creating an extra stitch with each yarn over. Then, in the next row, once you get to the basket, you knit 2 together through the back loops to return to the proper stitch count. Easy peasy.

If you’re bobble allergic this cloth could be the cure because there are quite a few bobbles. Rx: Knit 30 teeny 3-row bobbles and get plenty of rest.

Colonel Talbot Scarf

This post is another post on the “I wonder how the same stuff looks in different yarns” theme. Glass head is looking cozy in her five-and-one-half foot Colonel Talbot Scarf. Joan Janes designed this easy mostly garter stitch scarf. It includes a few very nice touches to keep a knitter from nodding off. More on that in a bit.

The Michigander in me needs to call this one my Colonel Wolvervine version. It will look great hobnobbing around Ann Arbor on a maize and blue football Saturday when everyone else bought an off-the-rack scarf.

The yarn is Fiesta Yarns Boomerang, an Aran weight, in their college set of colorways. If you’re a fan of that other Michigan football school, Boomerang also comes in a Sparty green and white colorway.

At first I was concerned about how the yarn was pooling on the edges and mixing in the middle. But I came to think the effect was cool. Here’s another view.

Among the sensible touches in this pattern is the fact that the scarf is completely reversible. When the wearer flips it over a shoulder or ties a knot in it, she won’t need to be embarrassed that her back side is showing. The edges are applied I-cord, knit on as you work the rows. Such a nice trim. And, as you’ll see more clearly in the last version in this post, there are 10-row long drips of nicely space stockinette.

Soon after completing my Wolverine version, I decided to knit another, this time it’s dubbed Colonel Brisbane. That’s because it’s knit in Queensland Collection’s Brisbane, another Aran weight. Glass head says it’s going to really keep someone warm.

It’s a tad more difficult to see those drips of stockinette in Brisbane. But again I love the effect of the color-changing yarn.

This colorway combines colors I’d not think would work well together. But they do.

Now for something completely different.

Here’s a nice tame Colonel Talbot. This one was the first time I knit the Colonel. I used String Theory’s Aran Caper. Caper is an 80% merino, 10% cashmere, 10% nylon yarn. It worked up exceptionally nice. And the evenly spaced drips are clearly visible in this version.

It’s often the simplicity of the knitting that keeps me coming back to a pattern.

Colonel Talbot and Wellington

wellington3This is Wellington. Not Colonel Wellington. Just Wellington. A Susan Mills Classic Elite pattern. My version, worked up in the yarn the pattern calls for (4 skeins of Classic Elite Camelot), is the first finished project on Ravelry at the moment.

It was fun to knit. And I definitely like reversible patterned scarves. Especially if you gift a scarf, if it’s not reversible you’ll see it worn backwards every time you see it worn. Same goes for hats with seams–they’ll always be worn by the giftee with the seam smack dab in front. And, though I try to gently educate the recipients of afghans that they are warmer public side up, they’re almost sure to be folded backward on the couch. (But at least that means they’re being used.)

Just under 400 yards of Aran weight. It needed a rather aggressive block to open up those middle ribs a tad.

Wellington

I enjoyed knitting it. The color-shifting yarn holds a knitter’s interest even when the billionth jigsaw puzzle piece starts wearing thin.

So, that’s Wellington. And this next scarf really is Colonel Talbot.

colonel_scarf

Colonel Talbot, in the library, with a candlestick. Oh, no. That would be Colonel Mustard. This is an excellent unisex scarf pattern by Joan Janes of Littleredmitten. I knit mine in String Theory Hand Dyed Yarn’s Caper Aran. I’m not sure if Caper Aran is currently available. But it’s 80% merino,10% nylon, and (ahem) 10% cashmere. Quite special.

colonel_scarf3

It’s a simple pattern, for sure, but with some excellent design features, including I-cord knitted-on edging and an interesting bunch of raindrips to break up the garter stitch.

Sometimes I have trouble wearing scarves. They dangle into the velcro flap patches on my coats and get stuck. But I definitely enjoy knitting them.