Tag Archives: Rioska

More hats

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Hats are among my favorite knitting projects. There are lots of heads out there. And unlike hands and feet, each person has only one head. There is no threat of second hat syndrome. There is no reason to knit the same hat for a second time though, honestly, I often do.

Maria Socha is one of my favorite hat designers. This one is her Wiatrak design. She says it’s a “simple hat with a swirly crown.” Online translation aids say that wiatrak means windmill. Check out the crown to see how apt the name is.

Wiatrak calls for Aran weight yarn. I knit mine in Copper Corgi Fiber Studios Jones Street Worsted in the Dubonnet colorway. The yarn is a hefty worsted weight in a luxury blend of 60% merino, 30% alpaca, 10% silk. The unusual ribbing, (knit through the back loop, purl 1) 3 times, purl 3 across the round, turned out a tad limp. I’m thinking the alpaca is the culprit. But once the hat is on a head all that disappears.

Next up is another Maria Socha design, Autumn Lady. I knit my version in 7 Veljesta Solid and, although I typically like this yarn, it didn’t seem to do justice to this fine pattern.

I’ve worked with this yarn before and never found it limp or even a bit thick ‘n thin. But that’s what this white shade is. The pattern puts some stress on the yarn at points where the direction of the knitting veers. And inserting a bobble into stockinette does too, at least in my knitting. The result is some small holes in the work that I’m not happy about. But I think that’s only a problem because my yarn wasn’t “full” enough. Plus the white color seems to make the holes more prominent. After machine washing and drying the yarn fluffed enough to smooth out the work a good deal.

I decided not to add a pompom because I love the crown decreases and didn’t want to cover them at all.

At some point I will knit this again in a nice plump wool worsted and I know I’ll be happier with the final product.

It’s a stunning design!

This is a rather extreme slouchy by Susan B. Anderson, Baker’s Hat. Each time I knit a fingering weight hat I promise myself I’ll make them more often. Obviously they take much longer to knit than heavier weights. But the results are often excellent. And some of the heads in my neck of the woods prefer a lightweight hat. I knit my version in Louet’s 100% merino Gems Fingering Weight.

My ideal cup ‘o slouch is not quite so full. The hat was planned for my son but I know it’s too slouchy for his taste. My stitch gauge was correct though the row gauge was off a tad. I didn’t fully appreciate how stern a master row gauge would prove to be. By the end of the twisted rib stitches, I was already 8 inches from the cast on (rather than 7.5). I eliminated the extra rounds (5 for my size) before the decreases. But you simply can’t stop the length from being what it will be without sacrificing the twisted rib sections that are the main design detail.

I needed to wet-block this hat to even out the stockinette stitches and tame the bit of ruffle that formed just after the ribbing as the hat moves into its stockinette section.

The crown decreases worked out well.

Melinda Vermeer’s Bayfront Cap is a favorite fingering weight hat pattern. The knit 3 purl 3 beginning rib flows nicely into the knit 9 purl 3 in the body of the hat. A knitter can’t help but be drawn into the pleasing somewhat unusual rhythm.

I knit this version of Bayfront cap, um…I’ve now knit 10, mostly in Louett Gems left over from my Baker’s Hat. I didn’t have enough Gems so I reached into my fingering weight oddments bag to add some striping.

The star of Bayfront, striped or not, is its beautiful crown decreases. There’s enough stitches in this fingering weight hat to allow Vermeer to create a jaw-dropping crown.

Now, back to Maria Socha for her Rioska hat. I knit mine in a beautiful (cross that out) autumnal (cross that out) camouflage shade (maybe) of Sugar Bush Bold. Before Bold was discontinued this colorway was Melon Melody. My excuse? I love Sugar Bush Bold. It’s 100% merino superwash worsted. I can’t buy it anymore. And I found this colorway online and on sale. I clearly needed a pattern with enough going on that it stood a chance of taming this unruly colorway. Rioska is a great pattern, including for its taming ability.

I already found a head attached to a very classy lady who chose this hat, from many available ones in my gift stash, because she sincerely liked it.

All Socha’s crown decreases are planned well and look great.

I don’t want to slander Rioska with my crazy camo colorway. Here’s how it looks in a calmer skein of Sugar Bush Bold, Rose Garden. The mock cable is worked with a yarn over. It’s a fun stitch to knit. Think of Rioska if you’ve got an unruly colorway.

And it’s drop dead gorgeous in Malabrigo Rios, as the pattern and project photos on Ravelry show clearly.

Red hat days

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Recently I noticed that I’ve been knitting a lot of red hats. Not that it’s been red red red all in a row. But I looked over my “knits4blog” file and found an abundance of red hats that I’d not yet featured.

This first one is the great Wooly Wormhead’s freebie, Meret, left free to be a beanie instead of a beret. That’s just a matter of not blocking it as a beret. My Meret is knit in Malabrigo Rios in the Cereza colorway. It’s a rich red with undertones of almost black. My apologies if that sounds wine-connoisseur-silly (“woody, with a hint of apricot and mushrooms”). But then lots of us are yarn connoisseurs in this robust knitting universe.

I was a smidge disappointed that the crown decreases turned out rather porous. It’s not beyond the pale though that sometimes we might need an air conditioned beanie.

Next up is yet another version of Jesie Ostermiller’s Portsmouth Beanie. This is such an excellent unisex hat pattern. This time I knit it in Anzula’s For Better or Worsted. 80% merino, 10% nylon, and 10% cashmere. This is the Watermelon colorway. I’m pretty sure it’s the 10% cashmere that keeps me reaching for this hat when I’m looking for cozy.

I’m frugal enough that I very much enjoy knitting multiples of purchased patterns. Six dollars for three hats–with likely more in the future–would please even my rubber-band-saving grandmother.

What would especially tickle Gram is that I knit this version in yarn I frogged from a prior, less successful, hat. I unraveled the hat, wound the yarn onto my swift, tied it in a few places, and then steamed it. That did an excellent job of unkinking the yarn and saved me the trouble of washing and reskeining it.

Here’s another version of Galina Shemchuk’s excellent freebie, Just a Hat. It’s a somewhat new hat pattern that’s drawn a lot of attention with 450 project pages in just a few years. There’s a lot to like about the pattern. Unisex. Very forgiving size-wise. Tidy crown decreases. And free.

 

I knit my Just a Hat in Malabrigo Rios using the Desert Rose colorway. This hat seems to look especially nice knit in a yarn, like Rios, with shading and depth to make the hat’s furrows furrow just right.

This next hat is Hill Country Hat by Clara Parks, the only bulky weight in this post. It’s part of her “Knitters’ Book of Wool” but the pattern’s been released as a freebie.

I’ve knit Hill Country (ahem) eight times and already posted this hat’s predecessors. If you search on this blog you’ll find them all and be able to see the interesting stitch choices that make this bulky-weight a standout. What makes my latest version different is my unusual yarn choice: Lana Grossa’s Fusione. If you want to give it a try in this yarn, I’ll just wish you luck because it’s discontinued. Personally, I liked its 30% cotton, 26% alpaca, 25% wool, 19% nylon mix, for some purposes anyway. Very cozy. But I didn’t like it’s-time-to-take-out-a-mortgage price. And then I bumped into a huge markdown on the stuff and I was all in. This Hill Country wiped out my stash though.

Admittedly, not the best choice if you’re looking for stitch definition. But it will keep some head totally warm.

Last up is another Maria Socha beauty: Rioska. Mine is knit in Sugar Bush Yarn’s Bold, unfortunately another discontinued yarn. It’s a worsted weight with excellent stitch definition. I’ve often knit with solid shades of Bold. This was the first time I used a variegated shade: Rose Garden. I was concerned that the mock cable details would be overwhelmed by a too busy yarn. But I’ve decided that the result is excellent.

So pretty, including Socha’s trademark well-planned crown decreases.