Every little bit counts

My 2019 resolution was to try hard to knit all usable quantities of a colorway before I proceed to a new yarn for a new project. Kind of “finish your peas before you eat dessert” thing. Well, except that Schoppel-Woole Zauberball and Cascade Yarns Superwash Sport are hardly the peas of the yarn world. Apologies, to you pea lovers, but peas taste terrible and I bet somewhere deep down you know that too.

So, first I used a smidge of the Daffodil colorway to knit my Annita Wilschut Vera bear a rain hat.

Perfect. That was in the summer of 2014.

My Daffodil languished. Next, in the fall of 2018 I knit Wolkig in my black/gray/white Zauberball.

I broke into the  Daffodil for the cuffs of my adult moc-o-socs.

Such a great pattern by Rebekah Berkompas.

Then, with most of the leftover Zauberball and a dainty amount of the Cascade 220 sport Daffodil, I knit Justyna Losorska’s freebie beanie, Fasolka. I followed her instructions exactly, except that I went my own way on the color combination.

I see this sportweight hat as a great success. It even has an excellent crown, with no hint of the dreaded pointy beanie syndrome.

The Zauberball colorway worked out so excellently, I will be indulgent and give you another view.

What next to knit. I’d been eager to give Cecelia Compochiaro’s “sequence” knitting a try. My first attempt was her Swirl Hat, using her spiral sequence method.

If case you haven’t heard about or tried sequence knitting yet, let me intrigue you. All the patterning on this hat repeats the same 10-stitch sequence. Yep, the diagonal slices, separated by a few rows of stockinette, are several rounds of the same sequence worked over and over again, ignoring the end-of-round marker. The shift in the direction of the slice happens magically (or so it seems to me) by a minor adjustment to the number of stitches in the round that happens in the stockinette section.

There was even enough Zauberball left for a right-sized pompom.

My Cascade 220 superwash sport hadn’t run out yet, so I couldn’t quit on it. This next hat is Susan Villas Lewis’s Vitruvian Man.

The Vitruvian Man, at least the one who isn’t a hat, is DaVinci’s drawing of a man stretched out in a circle, with his arms stuffed into the top of a square and his legs stuffed in the bottom of a circle. You know, this guy:

It’s a fun motif to knit. The entire hat is very cleverly designed.

Check out the great crown.

I have a big gumball sized ball of Zauberball left. And what’s left of my Cascade 220 sport isn’t quite a golf-ball sized ball. Every useful bit is used up.

Hat weather is almost here

This is Leslie Taylor’s Mayfly Hat, knit in Mountain Colors Perspectives RiverWash Sport. This was a Mountain Colors’ kit, purchased at a local yarn shop closing at a ridiculously wonderful discount. The pattern is also available for purchase on Ravelry.

With the gradient reds doing their thing, it’s a bit hard to see in my photo, but that’s three Estonian braids just above the ribbing. Honestly, I don’t much care for the effect of the braids in this yarn. But it does dress the hat up a bit.

I made a few modifications. I didn’t do a provisional cast-on–not with the first row planned as a 1 by 1 rib. A provisional cast-on might have worked well if the next row was knit plain. Otherwise my sense is it would have been difficult to pick up and knit that mix of knits and purls in sportweight yarn on size 3 US needles. Instead, I did my folded brim by knitting a turning round of purl. Then I knit ribbing for a few more inches. Next I knit the cast-on stitches together with the live stitches and I was off to the races to tackle the body of the hat.

My only other modification was to move up one needle size for the body of the hat. I think that’s a common convention that works well.

The colors are what make this hat shine. And, as always, well-behaved crown decreases (no pointy problem) are much appreciated.

This next hat is Herriot, a free pattern, by Nicole Montgomery. Let’s do this in reverse. Here’s the crown, knit in Malabrigo Rios.

The pattern calls for a bulky weight, and Rios is only a worsted. But I couldn’t get gauge (18 stitches and 25 rows to each 4 inches) in any bulky weight in my stash. Again, a totally not pointy crown. Perfect.

What makes Herriot special is the use of a stitch that I don’t think we see enough of anymore: smocking stitch.

I decided to use up some precious Rios leftovers for this hat, in two favorite colorways (Sunset and Lettuce). I also worked a bit of a fade between the two colors. This is a cool hat worked in a solid color as the designer intended. But I rather like my quirky stashbuster version.

This next hat is Windshield by Niina Talikka. The pattern calls for a DK weight and I knit mine in Anzula Cricket.

I’m unsure how the diamond motif of this hat became so indistinct on one side. Cricket has good stitch definition, so I didn’t expect the hat would have that problem. The designer says that “blocking is highly recommended to make the motif visible and for the hat to form its gentle slouch.” So, as directed I blocked. It helped make the motif come to life, but not as much as I hoped.

Still, I like this hat quite a bit. Cricket is 80% merino, 10% nylon, and 10% cashmere goat. It feels wonderfully soft. No one will complain “…but it’s so itchy.” And I also don’t see anyone complaining “where’s the second side of my diamond motif.” If you decide to knit Windshield, take a look at the project pages for this hat on Ravelry. The patterning definitely pops better in a solid color. Windshield is a top-down hat. That can be a bit of a bear to pull off. But the bear only roars for a few rounds and then it’s tamed.

No bunch ‘o hats post would be complete without including another rendition of one of my favorite hats, Susan Villas Lewis’s “The Thinker.”

I’ve posted about it many times, here‘s two, and here’s another and here’s two more. My newest version is knit in Malabrigo Rios. It used to be something else, part of a (sort of) poncho. When a knitting buddy’s husband saw her working on hers he asked if she was knitting a lampshade. Every time I was tempted to wear it all I could think of was how nice a lampshade it might have made. Anyway, I frogged the thing and now I have a lot of extra Rios. Knitting The Thinker was a good save, I think. And now there’s much more Rios for me to knit with.

Cooper’s Hats

So, there’s a little guy I’ve not met named Cooper. But I know his uncle. He’s six years old. Cooper, that is. Not his uncle. Cooper needed some hats pretty quick. Fun ones. Sporty ones. Ones to cover up some bad hair days his doctors have decided he needs. Cooper’s not an “off-the-rack” kid, so finding some not-off-the-rack hats seemed like a good idea.

This is Capitan Hat, a free pattern by Rosie Garmendia. Cooper’s is knit in Valley Yarns Superwash Bulky, the Webs house brand. It comes in 26 colorways and, unfortunately, what I had in my stash was not the most exciting of them. But I pressed “tan” into service anyway and I’m quite pleased with the results. I was concerned if the two-surface brim would hold up without stiffener inside. It does.

Here’s a view of the interesting crown decreases:

Just the thing for a baseball fan, I’d say.

This next one is an old stand-by. Cooper has a connection to Michigan State University so the Sparties were the inspiration.

This is a vintage (but still available) Fiber Trends pattern: “School Colors Hat, AC-53,” by Betsy Lee McCarthy. That’s a double roll brim. You start out with the green and do reverse stockinette. Then you do the white, in stockinette, then the green at the top. You sort of pull the white down and roll it back on itself, so the reverse side shows, and then the green from the first band of knitting falls in place.

Bottom line: follow this pattern exactly as it’s written and it will all work out. There are no errors.

I wanted something very comfy so I used Berrocco Comfort, worsted weight. No scratchiness.

Very well-behaved crown decreases.

Bet you can’t make just one!

This next hat is another Susan Villas Lewis’s “The Thinker.” I have knit so many Thinkers it’s getting kind of embarrassing to keep linking to them all. But search for Thinker here on my blog and up they’ll pop.

Cooper’s is knit in Plymouth Yarn Worsted Merino Superwash Solid. Soft. Easy care. Great stitch definition.

My trusty Clover pompom maker worked overtime on this batch of hats.

I know, The Thinker in this size doesn’t fit Glass Head really well. But Cooper’s a little guy.

Cooper like clowns. So I bought a skein of clownish-looking Plymouth Yarn Toybox Candy. It’s  an acrylic that can’t help but put a smile on someone’s face.

This is Purl Soho’s “Classic Cuffed Hat,” another freebie available on Ravelry and on the Purl Soho website. Everything this designer produces is classic. Sophisticated. So I gave in to the temptation to knit her design in a gaudy colorway. That’s because Purl Soho patterns go to art galleries. In New York City. They practice yoga. But Cooper’s Classic Cuffed Hat shouts.

And this last hat is Clayoquot Toque, a modern fair isle freebie from tincanknits that tincan says is a great blank canvas for testing yarns and color combinations. It really is. I wasn’t sure about whether these three colorways of Shalimar Yarns Breathless DK would play nice together.

But I think they did. And this 75% merino, 15% cashmere goat, 10% silk concoction is so soft it should keep a little guy’s head brightly covered but not overheated.

Small stuff

Let me try that again. Stuff for small ones.

This is another Welcome Home Blanket by Kirsten Hipsky. It’s such a simple classic design. A very easily memorized feather and fan motif. The first time I made it, I basically used the color scheme the designer intended. Actually I did it in 5 of the 7 recommended colors. This time I worked for a match to the baby’s bedroom, done mostly in spring green and gray. I really like the way it came out. More importantly, so did Cecelia’s mom and dad. They even honored the work by using the blanket to bring this late December baby home from the hospital.

As before, I used the yarn called for in the pattern: the Webs “house” yarn, Valley Yarn Superwash Bulky.

Here’s another look.

Toss in the wash and toss in the dryer. Easy care’s a must.

This next one really is a small stuff.

It’s Sleepy Sunday Hat, a pattern by Aimee Alexander. I knit it in Michigan’s own, Stonehedge Fiber’s Shepherd Wool DK. Such a nice weight for a little one. Warm enough without being weighty. Alexander’s pattern is very clear and easy to work up. In case you’re liking this one and thinking it would be great for larger heads, the pattern includes 5 sizes: baby, toddler, child, adult small, and adult large.

But it’s winter around here (even though it reached 58 degrees yesterday!) So little ones might need to be bundled a bit more. This next hat is the The Thinker, by Susan Villas Lewis.

This version is knit in Plymouth Yarns Worsted Merino Superwash Solid. I made the toddler size, in terms of number of stitches. But I worked at a slightly smaller gauge. This isn’t the first time I’ve knit a Thinker. These two and these two (at the end of this post) also worked out really well. This is a Tony Tiger “GRRRRREAT!” pattern, for sure.

Red Hats

etta

No, not red for heart health and the “go red for women” campaign currently plastering big red sexy dress decals on the entrance doors to my workplace saying something about women being strong and knowing how to get things done. And not red hats as in the organization of women who call themselves the Red Hat Society and do good deeds. All worthy outfits. I just mean I like to knit hats and lately a lot of them have been red.

This is Etta, by Kim Whelan, a Black Sheep Knitters Guild mate of mine. Her pattern is free on Ravelry. I knit mine in Stonehege Fiber Shepard’s Wool worsted in the garnet colorway. Great pattern. 1156 projects currently posted on Ravelry wouldn’t fib about that. Great yarn. And, a really great pinwheel crown decrease.

etta2

This next one is a newish pattern by Susan Villas Lewis called Chicken Wire. Mine is knit in Berroco Ultra Alpaca, a worsted weight. Here’s a closer look at the chicken-wire fence material patterning.

chickenwire_flat

Great detail. The tiny cabling in the ribbing is a nice touch. Good slouch. And the crown decreases also make the grade.

chickenwire_top

One nice, blunt-tipped top, with no pointiness.

And to complete the red hat trio, here’s an excellent free pattern on Ravelry: Circuitry, by Agata Smektala. I knit mine in a discontinued older-than-the-hills skein of Anny Blatt Mini-Sport, which (paradoxically) is a worsted weight not a sport weight. The only place you should look for this yarn is in my stash and the yarn bequest an elderly knitting relative left you.

Let’s start with the spectacular crown decrease and work our way down from there.

circuity_top

As I saw this developing, my knitter’s eyeballs popped. If someone is going to take this much care with the part of a garment that most people don’t even look at, I’m definitely going to knit it multiple times.

Here’s a more normal view of Circuitry.

circuity2

Circuitry makes for an interesting knit. It hugs the head nicely. It keeps the ears toasty warm. Agata has a winner here!