Tag Archives: Polka Dot Sheep

Ribbed hats with pizzazz

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It’s snowing like crazy this afternoon, April 11th. So that clearly means it’s time to write about …more hats. If this snow keeps up and foils our plan to not shovel again this season, since we assume that because it’s mid-April it will melt quickly, maybe we’ll still be wearing hats in May.

This is Rafa’s Hat, a freebie by Argentinian designer, Joji Locatelli. And, yes, if you’ve clicked on that link, maybe your man will end up looking like Locatelli’s model if you knit him this hat. Probably not, though. She sees it as a “manly” hat and it is. But it’s a perfectly proper womanly hat too. I knit mine in Plymouth Yarn Worsted Merino Superwash, one of my favorite worsted weight hat yarns. This knit looks best knit in a yarn with excellent stitch definition.

Here’s the well-behaved, attractive crown decrease section. I decided to work fewer rounds (only four) after the last pattern repeat that ends with the line “divider” because I thought that the hat was tall enough. This is a hat I’ll be returning to again. In fact, maybe sooner rather than later because snow always energizes my hat knitting.

This next hat is an Aimee Alexander (Polka Dot Knits) design: Boon Island. I knit mine in Berroco’s Ultra Wool, another excellent newer superwash worsted. The “cracked rib” a/k/a “broken rib” stitch is an easy two-round pattern that makes for excellent social knitting. I couldn’t quite get the gauge of 22 stitches and 34 rows to 4 inches in Ultra Wool. My gauge on size 7 US needles was 23 stitches to 4 inches. But the hat is very stretchy and gives a knitter a Get-Out-of-Jail Free Card on minor gauge problems.

The hat can be worn slouchy.

Or it can be worn cuffed.

Either way, every head, all sizes, will find that Boon Island suits. And the hat really flies off your needles because every other round of broken rib is a knit round.

Boon Island is a close cousin to Jennifer Adams’s Graham, a Ravelry freebie. Adams’s hat uses a traditional ribbing at the outset. This time I knit my Graham in Berroco Peruvia. Peruvia is considered an Aran weight, but the hat worked out just fine. Graham’s pattern calls for Berroco Ultra Alpaca, which is labeled a worsted but knits up (for me) a tad beefier.

Here’s Graham’s slouch look.

The crown treatment on the two hats is different, with Boon Island’s creating a more pronounced “x” of decreases as compared to Graham’s more traditional simple shaping.

And here’s Graham cuffed.

Both Boon Island and Graham are completely reversible. That’s a nice touch in any simple hat because the knit-clueless among us often seem to wear their hats inside out. With these hats, it won’t matter.

A number of knitters, myself included, have altered the Graham crown decreases thinking to eliminate any hint of a pointy top. For me, at round 19 I knit 2 together across the round. I worked K1, P1 across round 20. And for round 21, I k1, k2tog across the round. That left 14 stitches remaining to close the top.

Here’s the Graham I knit a few years ago, in Berroco Ultra Alpaca. I didn’t modify the crown and the off-head pointy crown totally disappears. My son prefers to wear his Graham cuffed.

Personally, I think “my” model rivals Locatelli’s. But I’m probably biased.

This next cracked/broken rib hat is Virginia Myers’s The Only Hat Your Teen Wants.

I knit mine in the lovely-to-look-at Brillo Pad competitor yarn, Caron Cupcakes. It’s a DK weight acrylic caked up in a really attractive run of five colors, complete with a pompom.

The look of this hat? Very, very nice in this yarn. The price point of this yarn? Excellent. The pattern? A really good one. It’s a DK take on mistake rib, with a twisted rib cuff. The feel of this yarn? Really, really rough with that unpleasant squeak-on-the-needles quality. That being said, after I washed the hat and put it in the dryer (before attaching the pompom), it softened nicely. There was no way this hat would do its slouch thing without a washing. First off the needles, the hat stood on its own.

If Cupcakes tempts, this pattern really shows off the yarn.

Haxann Evers’s Garter Rib Bliss is one last entry in the ribbed hat category. It’s another Ravelry freebie. I knit mine in Blue Sky Fibers Handspun Organic Cotton, a beefy worsted weight.

Check the other Ravelry projects for this hat to see its very different look knitted in soft acrylic or non-cotton natural yarn. The non-cottons bunch the yarn so that the ribbing looks more, well, ribbing-like. But I like the looks of mine.

I was prepared to not like the very abrupt K2 together all across the round crown decreases in this pattern. Instead, I’ve decided that I like the effect. Very nice ribbiness.

Often keeping it simple works really well.

For your hands

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This knit started back in 2014 when one of my knitworthy nieces traveled to Iceland. She had a great vacation and brought me back Léttlopii by Istex. The real Lopi. The Lopi skeins that have Icelandic labels. Spring Green and Black Heather:

Yes, I know that Reynolds Lite Lopi is essentially the same yarn. But these skeins had traveled far and they needed to be knit into something that honored their Icelandic roots. I wasn’t sure what I’d make of it. Mittens, I figured. But I couldn’t initially find a two-color pattern that I liked. And so the yarn made its way deeper into my stash. Then came my current stash down effort. I found Hlekkir by Hildur Ýr Ísberg and decided it was perfect for my Lopi. It’s a freebie on Ravelry. The pattern is available in Icelandic and in English. I chose the English version.

Nice “afterthought” thumbs blend perfectly into the patterning. Hlekkir is an Icelandic word that means “links on a chain.” That perfectly captures it!

My niece and I had an interesting long distance text session on the fit. I had a very difficult time explaining what measurements I needed. She sent me this to help out:

It didn’t help much. The distance from the base of the thumb to the top of the middle finger–in the normal world–is measured this way. But a diagonal measure doesn’t work in the knitting world. I had Steve trace my hand and then I measured his tracing. I thought the man was a bit too much of a detail guy, as he traced every gnarly bump. And he seems to have been a tad more adept on the thumb as compared with the rest of my digits. I assure you that I have all my fingers and that they’re approximately normal looking. But, from this sketch, my niece understood what I needed.

I got back the best reply possible. My niece told me our hand sizes are the same. “O frabjous day! Callooh! Callay!”

I thought about adapting Hlekkir’s chain link pattern to knit a hat. You’d think I’d have made enough hats to make that easy. But my design skills failed me and, instead, I made Bethany Hill’s Drips, another Ravelry freebie. So, meet Lopi Drips.

OK, I snuck in yet another hat. I wasn’t supposed to do that. But this is an extra-excellent hat. It’s meant to resemble the drips on the outside of a paint can. Think this:

Reimagined as this:

Very cool!

And, after that digression, back to stuff for hands. These are Aimee Alexander’s Farm to Market Mitts. Mine are knit in Plymouth Yarn’s DK Merino Superwash.

That interwoven cable is a big favorite of mine. This is the 5th pair I’ve knit!

I’ve been known to goof and get one of those twists wrong. But, in this pair, I didn’t fall asleep at the switch. This pair? This pair is finally one for me.

The next pair of mitts is Ann Budd’s In-A-Pinch Fingerless Mitts. Mine are knit in Lion Brand LB Collection Merino Yak Alpaca, an Aran weight. One ball, 126 yards/60 grams, was enough for the pair. Budd herself gave me that skein of yarn and the pattern at a knitting retreat last year. I weighed out the yarn, as Budd recommended, and separated the skein into two equal balls to knit the mitts. And it almost worked! I just had to shorten the mitts by a few rounds.

The mitt pattern has a few difficulties. I’ve added the clarifications that one Raveler says came right from the horse’s mouth/pen (Budd) to my Rav project page. That should help if you’re of a mind to give these a try.

These next mitts are Amanda Scheuzger’s Mt. Battie Mitts. Mine are knit in Stonehedge Fiber’s Shepherd’s Wool Worsted. I thought possibly the cabling would drive me batty, but the cable work was actually a lot of fun.

Did you notice that the twists reverse from one hand to the other? Nice touch. You only need two cable needles on one of the rounds. The palms of the mitt are knit plain. That works well. The only minor revision I’d make next time is I’d put the 15 thumb stitches on a waste yarn and come back later and knit taller thumbs (in the round). That’s because my thumbs would welcome a bit more coverage.

These fit well and will serve well.

Speaking of hands…

I found this sorting through my box of childhood sentimental stuff. This is my hand back in 1957. I was five. My kindergarten teacher was Mrs. Gale. I didn’t like her. Not one bit. I also didn’t like kindergarten. Less than not one bit. One day we were commanded to put our hand in–whatever this is, possibly Plaster of Paris. My mom kept my hand mold in her stash of sentimental stuff and eventually she gave it it to me. I recently photographed the mold and then pitched it. My mom didn’t know what to do with it, so she gave it to me. I decided I’d relieve the next generation of trying to figure out what to do with it. There’s a photo if I want to see it again.

I am satisfied with how my hands grew up. They know how to work. They know how to  play. And they learned how to knit. Good hands.

Hat weather is here

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The lake hasn’t frozen yet, though it’s getting close. On cold mornings there’s a skin of ice extending out from the shore. And the foam that the winds froth up is sort of smoothie texture. Without a hat, ears will soon be feeling pretty frozen.

This hat is “Hungry Horse Hat” a newer DK-weight pattern from Aimee Alexander of Polka Dot Sheep. I don’t know the origin of the pattern name. But I still know that I like the hat. It’s an interesting mix of garter stitch and mesh, designed to be tri-color.

Here’s a look at its well-behaved crown.

Alexander definitely knows how to tame the crown decreases. No pointy head syndrome here.

My Hungry Horse is a mix of critters-of-origin. The gold is Anzula Cricket, 80% merino sheep, 10 percent cashmere goat, and 10 percent nylon chemistry lab. The mesh section is Mountain Goat by Mountain Colors, described on the Mountain Colors’s site and on Ravelry as 50% merino and 45% mohair (which is where the goat comes in). Apparently it’s 5% unidentified something else. And the earband is Shalimar Yarns Breathless DK. Breathless is 75% merino, 15% cashmere goat, and 10% silk. I hesitated before mixing and matching yarns, but I was trying to get a proper color scheme. I’m completely pleased with the outcome. I guess it wouldn’t be too good a hat to test a person’s fiber allergies, though. If your head itches, you could be allergic to just about anything.

This next hat is Jo-Anne Klim’s new fingering weight slouchy: the Woodmere Slouchy Hat.

There’s always a lot of knitting (and yardage) in a fingering weight slouchy, but Woodmere is worth the time and effort. From twisted rib at the start, through that soothing ribbed waffle stitch, and finishing with another well-planned crown.

I knit Woodmere in Wollmeise Twin, a bouncy 80% merino, 20% nylon that worked up very nicely in this pattern. Great stitch definition. And that deep saturated color. I might not be able to put this one out for my holiday pick-your-gift baskets. Klim’s KBJ Design patterns are always keepers!

Here’s another hat from Klim that I’ve knit before: Araluen 

This is knit in one of my personal favorite worsted yarns, Malabrigo Rios. It’s their Purple Mystery colorway. I guess it’s no big mystery why it turned my hands and stitch markers purple while I knit it. That’s not my favorite part of the yarn. And it’s not normal in terms of my experience with Rios. I’ll just need to be watchful if any of the bald men in my circle reach for this one in my holiday gift baskets. I’ll need to steer them to another hat because I’m not sure this one is done bleeding yet. And, yes, another excellent crown decrease.

In fact, an extremely well thought out crown.

And now, for something completely different.

This is Elizabeth Zimmermann’s Maltese Fisherman’s Hat. She is often quoted as saying that the good thing about knitting hats is that some people will put anything on their head. This must be a prime example.

Mine is knit in the Sheepswool Super Bulky that the pattern calls for, available from Schoolhouse Press. It’s actually Bartlettyarns‘ superbulky.

I’m waiting to see if any of my holiday guests reach for this one. Laying flat it looks innocent enough. It isn’t obvious at that point that the hat makes you look like a royal airhead. But there’s nothing warmer than this hat. Maybe ice fisherman should adopt this look. Ice fisherman who actually fish out on the ice, not in a heated ice shanty. Ice fisherman who fish out on the ice alone without any companions and who keep this hat in their pick-up truck and only put it on once no one will see them.

Maltese Fisherman’s Hat is actually a quick fun knit. It puts a knitter in touch with her knitting ancestors. You just have to be brave and wear it with pride.

Winding Trail 2 Central Ave

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This is a new pattern from Linda Courtney of Knitwise Design: Winding Trail Headband. Courtney writes that “The trail is rarely straight – and neither is this headband!” I knit mine in a long-ago discontinued yarn: Classic Elite Tapestry. It’s a 75% wool, 25% mohair, beefy worsted.

The pattern calls for Malabrigo Merino worsted, but any worsted or Aran weight should work well. Just be sure to keep a sharp eye on the row gauge. Or, if you’re off on the row gauge, adjust the number of pattern repeats. This headband is a one evening project.

Here’s a look, off-head:

The winding trail starts with a provisional cast-on and ends with a three-needle bind-off. A knitter could chose to do garter stitch grafting. I find that a bit of a bear though, and the three-needle bind-off worked well. There’s a tiny extra ridge at the bind-off. Only if wearers suffer from serious cases of “Princess and the Pea Syndrome” will they be able to feel the ridge.

I cast off and soon cast on for a second.

This one is knit in Harrisville Design’s Orchidville Cashmere. It’s a 70% wool, 25% goat mohair, 5% goat cashmere, Aran weight. I’d provide a link but the agedness of my stash strikes again. It’s discontinued too. Orchidville Cashmere, like Tapestry, was a very good yarn.

Here’s another look, off-head:

Headbands are such sensible headgear, since ears are what mostly get cold on many people. And headbands are ponytail-friendly. You can keep one in the pocket of every coat, for the days you didn’t think you’d need a hat.

Recently, while reorganizing my stash, I was reacquainted with two wonderful skeins of worsted. Colorbug and Quaere Fiber:

 

I’d been saving these two beauties for something special. Aimee Alexander’s Central Ave has turned into a bit of an obsession for this knitter so I decided to break out the good stuff. My first two Central Aves (scroll to the end of the post) were very well received by my nieces. So I decided to cast on:

And cast on again:

There are a number of hat patterns, some of them free, that look a lot like this one. But Alexander’s version has a few design sensibilities that I feel the others lack.

And it even has a nicely behaved crown decrease.

I sometimes test knit for Alexander and for Knitwise Design. And I look forward to it every time. Even in the testing stages their patterns are clearly written, without errors.

Knit on!

Winter blues

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Blues. It’s too soon for the real wintry blues, since winter is only just getting revved up here in Michigan. But blue hats. Well, blue hats seem to be leaping off my needles. This one is Dani Sunshine’s Rockhound. One of her free patterns. Anything feathery and fanny is fun for me. This is knit up in Plymouth Yarn’s Worsted Merino Superwash Solid. Excellent stitch definition. Glass head likes how well it works with her blue vintage mohair cheekbone.

Here’s a look at the nicely rounded crown.

This next bit of blue is Speargrass, in another shade of the same Plymouth worsted superwash I used for Rockhound. It’s another free pattern, this time by Susie Gourlay.

How cool is that? Possibly, very cool. “Holey hats, Batman!” But not every hat has to be super-warm. This one is a lot of fun to knit. And the pattern is easily memorized.

At first I thought that I didn’t care for the way the ribbing transitioned into the body of the hat. And next time I might try knitting a round to make the transition to the body a little more defined. But the more I look at it, I sort of like the added texture.

Here’s another view, this time off-the-head.

The crown decreases lay nice and flat and maintain the pattern well. In those last few rounds, that’s not easily done. But it looks neat. And anyway, the very tops of hats aren’t visible. Well, unless they suffer from PHS (Pointy Hat Syndrome) and this hat doesn’t.

Next up is another freebie, “Jaye a Copy of CC,” by Elaine Long. I had no idea who or what CC referred too. About the only thing I know about current popular culture is what can be gleaned from HGTV. (What waterfall islands are, that everyone wants “open floor plans,”  and that for some reason parents now want to be able to see their kids all the time when kids are playing in the house.)  But, the internet teaches that the CC Beanie is Colorado Chick‘s. Hopefully imitation, especially with attribution, remains a sincere form of flattery.

My Jaye is knit in, you guessed it, Plymouth Yarn Worsted Merino Superwash, this time in one of their hand-dyed hanks. The rim is doubled, which will definitely help eliminate cold ears.

The crown decreases work well. My only modification was to continue the decreases a few extra rounds so that there would be fewer stitches to gather at the top.

Here’s my favorite hat of this style: Aimee Alexander’s Central Ave. It’s not a freebie, but the few extra touches make it worth the purchase.

Alexander’s pattern uses an easy “trick” to get the reverse stockinette ridges to pop nicely. Same for the twisted rib. Great pop factor. And the crown decreases are well-organized too.

Even though I knit this one in Brown Sheep worsted, which made it a bit stiff, I am very pleased with how it worked out. It disappeared quickly from my holiday pick-your-gifts stash.

In fact, as soon as I finished my Central Ave in Brown Sheep, I cast on for another. This time in Swans Island Natural Colors Merino Worsted. I can be forgiven for that purchase because I bought the skein at half price, which made it only twice more expensive than seems right. Not so. Organic. I get it.

Oops. Not blue. So not blue. The colorway is Bittersweet. By now, I figure we’re sick of the blues anyway. Central Ave is an especially satisfying easy knit.

And reports are that people who don’t tend to look good in hats, look good in Central Ave.