Strong solid color hats

Brace yourself for a hatapalooza. The theme is hats in solid colors. Gloriously pretty and deep clear colors. And even dull and boring colors. But all solids. No speckles. No variegateds.

This first hat is Kathy Zimmerman’s Back Seat Driver Hat, a Ravelry freebie. I knit mine in Sugar Bush Yarn’s Crisp, a DK weight. The colorway is Good Gold. The pattern is an easy, quick knit. The solid color is busy doing what solids often do: showcasing texture.

I have a giant pumpkin head and so do many in my neck of the woods. So I knit the largest size. A 120-stitch cast-on is a very large hat, even in DK. But I love the generous feel of this hat and that the ribbing isn’t stretched while someone wears it.

I’d like this hat more if the crown decreases were a little less fluffy. That can be solved by flipping the ribbing up to pull the hat down at the crown. But I sort of prefer an uncuffed ribbing in this one.

Next up is a classic balaclava: Easy Balaclava by Nanette Blanchard. It’s also a freebie, but you’ll have to step into the Wayback Machine, here, for the pattern.

I knit my helmet in Berroco Ultra Wool. Worked in a solid black there’s no busy yarn to obscure the simple lines of the ribbing.

And the crown decreases are nicely well-behaved too.

I made almost no modifications to the pattern. But instead of using a backward loop cast-on above the bind-off (as the pattern directs), I used a cable cast-on. And to strengthen the opening, on both sides where the cast-on met the body of the helmet, I knit 2 together. In the final decrease round, I substituted knit 2 together for the pattern’s knit 3 together. Then I closed the hat with 6 stitches instead of 4.

Next up is Rafa’s Hat, a freebie by Joji Locatelli. She says it’s “a very easy manly hat worked in worsted weight yarn…designed for a friend who (like every man) had very little requirements.”

This time I knit Rafa’s Hat in Berroco’s Ultra Wool in the “Green” colorway. Don’t you love the shade name? Not “Pond Scum in the Moonlight” or “Moss Lurking under a Wet Rock.” Just, “Green.” A no-nonsense yarn for a no-nonsense hat.

My round gauge is always way off when I knit this hat. This time, I knit the largest size but stopped the ribbing in each section at 15 rounds. After 3 repeats, I worked only 4 rounds of ribbing before starting the crown decreases. That worked well. Otherwise the hat would have been too long.

Wouldn’t this hat be cool with that perfect circle of crown decreases knit in a bright yellow?

This next hat is a frequent visitor to the blog: Aimee Alexander’s Boon Island. Not a freebie, but worth every penny. This is the 5th time I’ve knit this pattern and this time I decided to use Plymouth Yarn Worsted Merino Superwash Solid in the “Gold” colorway. Here’s Boon Island as a slouchy.

Here’s the hat cuffed and showing off its underside. If you work this hat with care, in terms of weaving in ends, it’s almost a reversible.

Here’s the tidy crown decreases.

The next pattern and yarn are both new to me: Susan B. Anderson’s Baker’s Hat and Louett’s Gem’s Fingering weight.

I used a cable cast-on, alternating between knit and purl stitches. It worked out well and made for a very neat edge. My stitch gauge was correct. My row gauge was off. At the end of the twisted-rib stitches, I was already 8 inches from the cast-on (rather than 7.5). I eliminated the extra rounds (5 for my size) and just started decreasing at the end of the twisted-rib rounds. Whether because of the yarn or the pattern, I’m not sure, but I needed to sternly wet-block this hat to tame the ruffle that formed just after the ribbing, as the hat moves into its stockinette section.

The Baker’s Hat crown is a bunch of organized elongated puffy folds. Normally that wouldn’t sit well with me. But for some reason I feel like it works here. Maybe the audacity of how exaggerated they are makes those puffs more acceptable. And, once again, the simple twisted-rib section shows to good advantage in a simple solid yarn.

This last hat is Smith’s Hat, a Ravelry freebie designed by Sanne Kalmbacher. From my first look at the design I imagined Smith’s Hat in a solid, mostly to show off the unusual structure with its twists of ribbing. I knit mine in Plymouth Yarn’s DK Merino Superwash. The colorway is Copper Heather. I see you rolling your eyes already. OK. Heathers are not solids. All I can say is that this “heather” isn’t a heather. It’s a solid. Nice yarn, too.

‘Tis a very strange knit. Which is what drew me to it. It’s given some folks fits to knit. It did for me too but then I found some assistance from other Raveler’s project pages.

The puzzler is how to get that slanted rib panel to slice its way across the hat.

The M1L and M1LP are worked typically, though the abbreviation key sets out the directions in a way I’ve not seen before.

For the M1L, I picked up the horizontal bar from the front, put it on the left needle point, and knit it through the back loop.

For the M1LP, I picked up the horizontal bar from the front, put it on the left needle point, and purled it through the back loop. Purling through the back is an unpleasant maneuver. Sharp needle points make it easier. Purling through the back closes up a little hole that will otherwise appear in a rather prominent place.

There is a horizontal bar to pick up on every round. Especially at the beginning, it’s a little hard to see. It’s a bit tucked to the nonpublic side, maybe because there’s some pulling going on from all this stitch manipulation.

My fairy godmother on this project is Raveler ESB4. Ethel has line-by-line instructions on her Ravelry Smith’s Hat project page for rounds 6-11 as you leave the twist and form the M1Ls. They work perfectly. Basically, Rounds 6-8 create 3 stitches as you exit the twist, and 3 disappear just before you enter the twist as a result of knit 2 togethers. Same for rounds 9-11. The first trio of rounds creates a set of 3 knits, while the last trio creates a set of 3 purls. As those trios “grow” they become a full 3-stitch vertical rib. I know that if you haven’t already knit this it’s probably not making much sense. But it all works out.


I’m not thrilled with the crown decreases, especially at the start. But that very prominent line of decreases mostly fades into the background once it’s on a head. Felted Head says the hat is quite cozy.

I’ve been doing a good bit of knitting with solids partly because I’ve been gravitating to lots of texture in my knits. Both are good trends. Comforting. Soothing. With nothing to hurt your eyeballs.

Knitted doll clothes

So sweet. These are Rachel Evans’ Doll Spring Butterfly sweater. The pattern’s designed for DK weight. I used Classic Elite Arietta for the golden brown one and Brooklyn Tweed Arbor for the teal one.

The pattern is meant for an 18 inch American Girl doll. But it’s very forgiving size-wise, as my Ravatar shows. She thinks it’s nifty.

So does my granddaughter and her face-masked knitted bunny.

Lambie is next, showing off Peggy Stuart’s Stripes & Ruffles Doll Dress. This knit is part of my continuing campaign to use up my Kate Davies fingering weight Milarrorchy Tweed. I am not a fan of this yarn for fair isle work. But it worked out great in this little doll dress. Lambie’s skin is muslin, felted wool, and pottery so she doesn’t even complain about how scratchy it is.

I debated with myself about my color choice on the ruffle. But I ended up deciding I liked the combination. Totally cheerful. Lambie stopped complaining and started smiling as soon as I dressed her in this one.

Still on my Milarrochy Tweed mission, I knit up this little sundress designed by Astrid Aesoey. She calls it Dress for Mini American Girl Doll. I call it sweet. 

And finally, apologetically, a bit of an oinker– because I underestimated what a yarn eater this would be and also I didn’t make the best colorway choices. It’s another dress sized for an 18 inch American Girl Doll: Sunshine Lollipops by Kristen Rettig. I dug deep into my DK weight oddments and came up with yarn that wasn’t sunshiny or very lollipoppy. Well, unless those are code words for mismatched. Still, it was a fun knit.

In my rendering Sunshine Lollipops would have needed a very stout American Girl Doll to fit into it properly. Or a very chubby bear. So I added a crocheted chain belt to cinch the dress in at the waist.

That worked. Sort of.

All of these patterns are freebies available on Ravelry. The knitting universe is a generous place and we are so lucky for that.

Knitting with mismatched Malabrigo

This Malabrigo Finito is a trickster. First  of all, it snuck into my stash in a most surprising way. Knitting Union is a collaboration of three great designers: Tonia Barry, Susan Mills, and Kim Barnette. In 2019, Knitting Union sponsored a summer-long knit-a-long. You got one entry for the prize basket for each Knitting Union item you knit during the KAL. Well, I can be a bit prolific. Plus three months is a long time. I ended up inadvertently stuffing the prize box because I really do like a lot of their patterns. It turned out that I won the basket. It was filled with a wonderful assortment of yarn and knit-related goodies, including just over 1000 yards of Malabrigo Finito, a fingering weight merino.

Malabrigo does not come in dye lots. I am not meaning to look a gift horse in the mouth, but the photo above is true to the color of my Glitter colorway–at least on my screen. You can probably spot the problem. The bottom three skeins are a fairly close match. The 4th skein from the bottom is a good bit darker than the bottom three. And the top skein is in between. Conventional knitting wisdom says I should have alternated the skeins. Oh please. I just hate doing that! The few times I’ve tried it, it turned out to be an unpleasant tangle and an unpleasant knit. I had the idea, undoubtedly not a new one, that the right pattern could hide the differences between the skein somewhat effectively.

I have to apologize that the color of the Glitter colorway is going to bounce around in this post. It simply refused to cooperate in consistently photographing the way the eye sees the colors. I tried it outside. I tried it inside. I tried it on a cloudy day. I tried it on a sunny day. Same for natural light and artificial. So prepare for the color of this yarn bouncing around through this post. The yarn is the brown shade you see above. It is not as gold as my finished shawl photos make it appear. And, despite its name, there are no sparkles in Glitter.

This is Helen Stewart’s Floating Shawl. She’s Hells Bells on Ravelry. Stewart is a very prolific Australian designer who I did not know until Floating Shawl made its way into my queue. It has all the traits I look for in a good shawl pattern. It is generously sized. After blocking, mine is 24 inches at its deepest point and measures 56 inches across the top. It is a mix of an easy relaxing knit with slightly more challenging sections. And the crescent shape assures that I don’t have the point of a triangle aimed right at my butt. Perfect.

Floating Shawl gave me some good ways to hide the fact that my Malabrigo skeins didn’t match.  Here’s what worked well for me and involved almost none of the dreaded alternating skeins. I started at the neck edge with the lighter two skeins. Moving from light to dark helped make the color changes look like a planned progression. I started a third skein in just after an eyelet row, a sort of natural divide. Then, over 6 garter ridges, I alternated that 3rd skein with one of the lighter ones. I started a 4th skein at the lace section, another natural divide where the eye can be tricked into seeing the new pattern rather than the new shade.  And then I used the final skein at the start of the last garter stitch section all the way to the end of the picot bind-off. This was only possible because (as reported by a few other Ravelers) this shawl took closer to 800 yards than the 950 the pattern called for. And I had 1000 yards in my 5 skeins.

Floating Shawl turned out to be a calm, relaxing knit. I thought that the lace section, with more than 500 stitches, would be difficult. It wasn’t. Every wrong side row was the same easy repeat. In the first lace row I set markers every 16-stitch repeat. That worked out well.

What did I do with my extra Finito? These fingerless mitts are Melanie Berg’s fingering weight freebie: Rainy Day Mitts.

I used 48 grams of yarn for this pair, including the weight of 8 rounds of the blue star stitch detailing.

My only modifications were that I added 2 rounds to the hand area just below the top ribbing. I’d have added a few more rounds but I wasn’t sure of my yardage. And I picked up 7 stitches in the gap area of the thumb, rather than the 5 that the pattern called for.  My gap just wanted more stitches picked up. In the 6th round of the thumb, just before beginning the ribbing, I decreased 2 stitches on the gap side so that the 2 by 2 ribbing before the cast-off would line up properly.

Now, how did I hide the differences in the colorway? I didn’t. Not one bit. If anyone decides to point that out while I’m wearing them my fingers will be free to tweak their upturned nose.

I was prepared to not be pleased with these mitts. The pattern just looked a little long in the wrist and plain in the design.  But, just the opposite, it turns out that I really like this pair. I’m happily keeping them for me. And the sweet star detailing is just enough to dress these up.

Classic Honey Cowl

Meet Honey Cowl. It’s Antonia Shankland’s incredibly popular cowl. A freebie on Ravelry.  OK, you probably already met Honey Cowl if you’ve been hanging around in knitting circles in the last decade or so. It’s another goodie though oldie. In fact, it’s such a goodie I’m featuring it all by itself in this post.

I knit mine in Madelinetosh Tosh Sport in the Dried Rose colorway. I’ve had two skeins in my stash since November 30, 2013. Hmmm. I was saving them for something special. More and more I find I have difficulty deciding what to knit with sportweight yarn. Honey Cowl is designed for DK weight yarn. It dawned on me that the cowl would look great in any weight, so long as you’re not fussy about gauge or the size of the eventual loop. That’s true if you reckon you’ve enough yarn to complete the cowl.

Glass Head thinks this two-round slip stitch pattern ends up as a stunning and cozy cowl. So do I.

This is sportweight yarn, but it feels more like a DK. I knit the largest size (220 stitches) on a US size 7 needle. I ended up with 28 grams of yarn left from the 540 yards that I started with.

I used the Chinese Waitress cast-on, so called because Cap Sease learned it from a Chinese waitress she met in a restaurant. It creates a well-behaved, almost crochet chain look at the start. And at the end the double chain cast-off matches the Chinese Waitress cast-on very nicely.

The edges curl on purpose since the piece starts and ends with a few rows of stockinette.The slightly more decorative edges looks quite nice. I gave the cowl a light blocking to tame the roll and make it a tad more uniform. This one’s for me!

I knit my first Honey Cowl way back in September of 2011. I used Madelinetosh Tosh Merino DK in the Grasshopper colorway. My current plan is to knit Honey Cowl more often than once a decade.

More than 27,000 Ravelers have Honey Cowl project pages. And it’s in nearly 14,000 queues. It’s definitely a knitworthy pattern.

Thinking cool thoughts

Here are some knits from months ago that never made it into the blog. Now that we’re in the dog days of summer, and with so much of the US (and the world) struggling with heat and fire, featuring some winter knits and even a few snow scenes sounded like fun. Ok. Maybe my idea of fun isn’t as well-developed as a lot of folks.

Glass Head, gazing out at the snow scene, is decked out in The Capitol, by Hinterm Stein. It’s one of the hats in Stein’s Domes Around the World series. A lot of us were prompted to knit this hat soon after January 6, 2021. I cast on in February, after purchasing a skein of Cascade 220 Superwash in the perfect color matching my nation’s Capitol Dome.

It is a beautiful dome in the real world and January 6th was a sobering day. It proved a somewhat sobering knit.

I made a very few modifications. Even though I used a lightweight worsted instead of sportweight, my row/round gauge was off. By a lot. I repeated rounds 49 and 50 six times, adding 12 rounds. And it’s still a bit shorter than ideal. But you can only monkey around with the Capitol’s dome a smidge before it isn’t the Capitol dome anymore. The crown decreases did not add what the pattern said would be about 2 inches of height. My crown flattened quickly and added only about an inch of height.

I wrapped the stitches that form the columns in rounds 31 and 33 three times instead of two. I just wanted them to be more pronounced.

Wonderful pattern, though. I like that the written-out, round-by-round directions are set out on the same line of the corresponding round in the chart. Working from the chart, it’s nice to also have the written directions handy.

This next hat is another Chameleon, Nicky Epstein’s wonderfully versatile hat. You can wear it cuffed.

Or with a rolled brim or as a slouchy or even Robin Hood style with the brim folded deeper on one side of the hat. Here’s its crown.

This Chameleon is knit in Rowan Pure Wool Worsted. I finished it as the lake thawed and winter was moving on. This post has links to my gobs of other Chameleon versions.

Sticking to today’s theme of “Baby it’s hot outside,” here’s a polar bear. It’s Denise Powell’s Little Bear. What I especially like about this polar bear is that it’s not cute. It’s more lifelike than typical for a knitted critter. It’s got that lumbering look to its legs. And the bit of a hump in its back.

Looks a bit menacing. Not particularly snuggly.

More like the real creature.