Forest for the trees towel

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This is Amy Marie Vold’s new pattern, “Forest for the Trees Towel.” It’s meant to commemorate the centennial celebration of the National Park Service. The Service was created by the joint efforts of lots of folks, even though President Teddy Roosevelt is who we mostly remember. Yep. August 25,1916 was the big day. We have commemorative coins this year and we have Amy Marie’s pattern. I know which will be more fun for me.

The pattern provides lots of knitters’ choice. Amy Marie charts and gives line-by-line directions for six slip stitch tree motifs. The knitter chooses which to knit and in what order. I selected four of the six for my towel.

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I used Knit Picks Dishie in the Kenai and Swan colorway and ended up with a 25 by 12 inch towel. Dishie isn’t as beefy as the Sugar ‘r Cream the pattern calls for. There would have been more width with an Aran weight kitchen cotton.

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Ever since completing this piece, as one of Amy Marie’s test knitters, I’ve been daydreaming about putting the pattern on steroids and knitting a slip stitch throw for the cottage. You couldn’t get too much more “up north” than snuggling up under that on a chilly evening.

Amy Marie’s not dishcloths

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This is Eiffel Towel (pun intended). It’s one of Amy Marie’s (CornucopiAmy on Ravelry) newer patterns. It’s 11 inches by 19 inches and I am using it as the kitchen towel it is. I knit mine in Knit Picks Dishie. One and one-quarter balls of the main color (Swan) and three-quarters of a ball of the green (Kenai). I’ve never been to Paris, but I definitely enjoyed knitting the City’s iconic tower as a towel.

I could have blocked this straight, but decided not to bother. It’s a towel, after all. And it’s not really curling at the top. Eiffel Towel was long enough that I couldn’t photograph it in my small studio without it overlapping the place where the background bends upward.

Next is Amy Marie’s newest mosaic-knit design: Celebration Cake Trivet. This one is my Red Velvet version, again in Dishie.

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It’s just about 11 inches square and will look great under whatever cake I’m celebrating with. Some Ravelers decided to knit the flames in yellow or gold, but I stayed with the bare bones version.

And I so enjoyed the experience of knitting it that I decided to knit a dark chocolate version too.

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Dishie, and most of the major kitchen cottons, come in such a variety of colors that it’s tempting to knit up as many trivets as the kinds of cakes you bake. Let’s see, it’s actually very rare that I’d bake a cake. So, it’s tempting to knit up as many trivets as the kinds of cakes I’d buy.

For now, I’m well-satisfied with these two.

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Sticking to the non-dishcloth kitchen cotton theme, these are Amy Marie’s Some Bunny’s Bib.

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So sweet. And they are very serviceable items for the ever-messy babes in your neck of the woods. These are generously sized, about 9.5 inches wide and 8 inches to the neck bind off.

Two balls of Lily’s Sugar ‘n Cream worked up both these bibs, with about half an ounce of each color left.

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“…is it intervention time?”

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I’m a huge fan of Amy Marie’s slip-stitch dishcloths. This pair is her “Dishscraper That Never Sleeps” pattern.  What? An almost-sophisticated dishcloth? How could that be? Maybe we should call this one a spa cloth. Here’s a closer look.

brown_cityAnd here’s its twin city.

skyscraper2I knit it in DROPS Muskat, a sport-weight cotton.

How about her “Flamingo Shores Kitchen and Spa Cloth?” Pretty spiffy, shown here in Knit Picks Dishie Solids.

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Sometimes Amy Marie’s cloths are interesting color studies. This one, I call “Bunny Hiding in Spring Grass”–for obvious reasons.

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Look what happens in colors that don’t share the same tonal qualities.

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“Some Bunny Do the Dishes Cloth” really pops in contrasting colors.

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“Squirrel Away the Dishes Cloth” worked well in both colorways I chose. These are knit in every dishcloth knitters’ old standby: Lily’s Sugar ‘n Cream.

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Definitely very cute, very clever, very easy.

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Since I’ve worked through most of Amy Marie’s slip-stitch patterns, maybe Dot won’t need that intervention she has planned for me.  Check out more of this designer’s patterns available for purchase on Ravelry. And check out a few more that I’ve knit and blogged about already.

Amy Marie invigorates the humble dishcloth

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This is Pig Pen’s Kitchen and Spa Cloth, by Amy Marie of Minnesota (CornucopiAmy on Ravelry). What fun! Garter stitch mosaic a/k/a slip stitch technique. Change color every two rows. The pattern is formed entirely of slipped stitches–no stranding required.

Amy Marie holds a bachelor of science degree in biochemistry and has researched gallium arsenide semiconductor devices. I had no idea what that is so I looked it up on Wikipedia. Gallium arsenide. It’s a compound of gallium and arsenide. Hmm. It’s often used as a substrate material for the epitaxial growth of other III-V semiconductors. Oh. Well. Enough of that. It must have something to do with seeing stuff that isn’t really there because that’s a bit like planning out mosaic stitch motifs.

Here’s me playing a bit and adding some sky to my piggy’s world.

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What a hoot! Is that a good transition?

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This is Amy Marie’s Who Owl Help Cook and Clean dishcloth pattern. I made one, in the same lowly Lily Sugar ‘n Cream that most knitters seem to use for dishcloths. Then, I quickly had to make another. It was that much fun!

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There is really only one thing to remember in garter stitch mosaic. On the public side, you just slip the stiches. Two things–it’s best to slip the stitches purl wise, to avoid twisting them. Oh, three things. On the non-public side, when you come to a stitch that you slipped on the public side, you need to move the yarn to the front of your work (as it faces you), so that your teeny strands between stitches will all collect on the non-public side. It’s totally easy. After the first few rows under your belt the knitting flows easily. It’s a lot of fun to see the pattern emerge.

Amy Marie makes it easy because every one of these patterns is completely error free. And the directions are both charted and line-by-line. So, knitters’ choice on which suits you best.

This next one, Lattice have Pie is a towel rather than a dishcloth. I will probably use mine as a hot pad. I gave this first one to a gifted hostess and it looked sweet among the yummy offerings on her brunch table. I decided to use a more refined cotton: Premier Yarn’s Isaac Mizrahi Craft Brookyn Solids.

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The pattern motifs can be knit in any order you like. Heck, once you’re on a roll, you could knit a table runner of these if you wanted to. My gauge was off because this yarn isn’t as beefy as Sugar ‘n Cream and my towel turned out to be 11 inches by 17 inches.

For the first time I tried the so-called “Chinese Waitress Cast-on.” I used it for my Lattice Have Pies and the piggy cloths. This cast-on seems to have first been featured in “211 Ways to Begin and End Your Knitting,” written by Cap Sease and released in 2014. The story goes that she learned it from a friend who learned it from a Chinese waitress in Beijing. You can see the cast-on more clearly in the version of Lattice Have Pie that I knit in Sugar ‘n Cream.

pie2It is a short-tail cast-on that creates a knitted-on row with a uniform row of nicely behaved stitches. Compare the piggy cloth with the owl cloth (which I knitted with a long-tail cast-on) to see the difference. I’d like to find a Chinese Waitress Cast-off so that the beginning and end of the cloth would match more closely, but that’s so obsessive of me I can barely stand myself for mentioning it. It’s a cool cast-on to add to your repertoire.

Here’s another look at my full moon/no moon set of owls.

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