Tag Archives: Baker’s Hat

More hats

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Hats are among my favorite knitting projects. There are lots of heads out there. And unlike hands and feet, each person has only one head. There is no threat of second hat syndrome. There is no reason to knit the same hat for a second time though, honestly, I often do.

Maria Socha is one of my favorite hat designers. This one is her Wiatrak design. She says it’s a “simple hat with a swirly crown.” Online translation aids say that wiatrak means windmill. Check out the crown to see how apt the name is.

Wiatrak calls for Aran weight yarn. I knit mine in Copper Corgi Fiber Studios Jones Street Worsted in the Dubonnet colorway. The yarn is a hefty worsted weight in a luxury blend of 60% merino, 30% alpaca, 10% silk. The unusual ribbing, (knit through the back loop, purl 1) 3 times, purl 3 across the round, turned out a tad limp. I’m thinking the alpaca is the culprit. But once the hat is on a head all that disappears.

Next up is another Maria Socha design, Autumn Lady. I knit my version in 7 Veljesta Solid and, although I typically like this yarn, it didn’t seem to do justice to this fine pattern.

I’ve worked with this yarn before and never found it limp or even a bit thick ‘n thin. But that’s what this white shade is. The pattern puts some stress on the yarn at points where the direction of the knitting veers. And inserting a bobble into stockinette does too, at least in my knitting. The result is some small holes in the work that I’m not happy about. But I think that’s only a problem because my yarn wasn’t “full” enough. Plus the white color seems to make the holes more prominent. After machine washing and drying the yarn fluffed enough to smooth out the work a good deal.

I decided not to add a pompom because I love the crown decreases and didn’t want to cover them at all.

At some point I will knit this again in a nice plump wool worsted and I know I’ll be happier with the final product.

It’s a stunning design!

This is a rather extreme slouchy by Susan B. Anderson, Baker’s Hat. Each time I knit a fingering weight hat I promise myself I’ll make them more often. Obviously they take much longer to knit than heavier weights. But the results are often excellent. And some of the heads in my neck of the woods prefer a lightweight hat. I knit my version in Louet’s 100% merino Gems Fingering Weight.

My ideal cup ‘o slouch is not quite so full. The hat was planned for my son but I know it’s too slouchy for his taste. My stitch gauge was correct though the row gauge was off a tad. I didn’t fully appreciate how stern a master row gauge would prove to be. By the end of the twisted rib stitches, I was already 8 inches from the cast on (rather than 7.5). I eliminated the extra rounds (5 for my size) before the decreases. But you simply can’t stop the length from being what it will be without sacrificing the twisted rib sections that are the main design detail.

I needed to wet-block this hat to even out the stockinette stitches and tame the bit of ruffle that formed just after the ribbing as the hat moves into its stockinette section.

The crown decreases worked out well.

Melinda Vermeer’s Bayfront Cap is a favorite fingering weight hat pattern. The knit 3 purl 3 beginning rib flows nicely into the knit 9 purl 3 in the body of the hat. A knitter can’t help but be drawn into the pleasing somewhat unusual rhythm.

I knit this version of Bayfront cap, um…I’ve now knit 10, mostly in Louett Gems left over from my Baker’s Hat. I didn’t have enough Gems so I reached into my fingering weight oddments bag to add some striping.

The star of Bayfront, striped or not, is its beautiful crown decreases. There’s enough stitches in this fingering weight hat to allow Vermeer to create a jaw-dropping crown.

Now, back to Maria Socha for her Rioska hat. I knit mine in a beautiful (cross that out) autumnal (cross that out) camouflage shade (maybe) of Sugar Bush Bold. Before Bold was discontinued this colorway was Melon Melody. My excuse? I love Sugar Bush Bold. It’s 100% merino superwash worsted. I can’t buy it anymore. And I found this colorway online and on sale. I clearly needed a pattern with enough going on that it stood a chance of taming this unruly colorway. Rioska is a great pattern, including for its taming ability.

I already found a head attached to a very classy lady who chose this hat, from many available ones in my gift stash, because she sincerely liked it.

All Socha’s crown decreases are planned well and look great.

I don’t want to slander Rioska with my crazy camo colorway. Here’s how it looks in a calmer skein of Sugar Bush Bold, Rose Garden. The mock cable is worked with a yarn over. It’s a fun stitch to knit. Think of Rioska if you’ve got an unruly colorway.

And it’s drop dead gorgeous in Malabrigo Rios, as the pattern and project photos on Ravelry show clearly.

Strong solid color hats

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Brace yourself for a hatapalooza. The theme is hats in solid colors. Gloriously pretty and deep clear colors. And even dull and boring colors. But all solids. No speckles. No variegateds.

This first hat is Kathy Zimmerman’s Back Seat Driver Hat, a Ravelry freebie. I knit mine in Sugar Bush Yarn’s Crisp, a DK weight. The colorway is Good Gold. The pattern is an easy, quick knit. The solid color is busy doing what solids often do: showcasing texture.

I have a giant pumpkin head and so do many in my neck of the woods. So I knit the largest size. A 120-stitch cast-on is a very large hat, even in DK. But I love the generous feel of this hat and that the ribbing isn’t stretched while someone wears it.

I’d like this hat more if the crown decreases were a little less fluffy. That can be solved by flipping the ribbing up to pull the hat down at the crown. But I sort of prefer an uncuffed ribbing in this one.

Next up is a classic balaclava: Easy Balaclava by Nanette Blanchard. It’s also a freebie, but you’ll have to step into the Wayback Machine, here, for the pattern.

I knit my helmet in Berroco Ultra Wool. Worked in a solid black there’s no busy yarn to obscure the simple lines of the ribbing.

And the crown decreases are nicely well-behaved too.

I made almost no modifications to the pattern. But instead of using a backward loop cast-on above the bind-off (as the pattern directs), I used a cable cast-on. And to strengthen the opening, on both sides where the cast-on met the body of the helmet, I knit 2 together. In the final decrease round, I substituted knit 2 together for the pattern’s knit 3 together. Then I closed the hat with 6 stitches instead of 4.

Next up is Rafa’s Hat, a freebie by Joji Locatelli. She says it’s “a very easy manly hat worked in worsted weight yarn…designed for a friend who (like every man) had very little requirements.”

This time I knit Rafa’s Hat in Berroco’s Ultra Wool in the “Green” colorway. Don’t you love the shade name? Not “Pond Scum in the Moonlight” or “Moss Lurking under a Wet Rock.” Just, “Green.” A no-nonsense yarn for a no-nonsense hat.

My round gauge is always way off when I knit this hat. This time, I knit the largest size but stopped the ribbing in each section at 15 rounds. After 3 repeats, I worked only 4 rounds of ribbing before starting the crown decreases. That worked well. Otherwise the hat would have been too long.

Wouldn’t this hat be cool with that perfect circle of crown decreases knit in a bright yellow?

This next hat is a frequent visitor to the blog: Aimee Alexander’s Boon Island. Not a freebie, but worth every penny. This is the 5th time I’ve knit this pattern and this time I decided to use Plymouth Yarn Worsted Merino Superwash Solid in the “Gold” colorway. Here’s Boon Island as a slouchy.

Here’s the hat cuffed and showing off its underside. If you work this hat with care, in terms of weaving in ends, it’s almost a reversible.

Here’s the tidy crown decreases.

The next pattern and yarn are both new to me: Susan B. Anderson’s Baker’s Hat and Louett’s Gem’s Fingering weight.

I used a cable cast-on, alternating between knit and purl stitches. It worked out well and made for a very neat edge. My stitch gauge was correct. My row gauge was off. At the end of the twisted-rib stitches, I was already 8 inches from the cast-on (rather than 7.5). I eliminated the extra rounds (5 for my size) and just started decreasing at the end of the twisted-rib rounds. Whether because of the yarn or the pattern, I’m not sure, but I needed to sternly wet-block this hat to tame the ruffle that formed just after the ribbing, as the hat moves into its stockinette section.

The Baker’s Hat crown is a bunch of organized elongated puffy folds. Normally that wouldn’t sit well with me. But for some reason I feel like it works here. Maybe the audacity of how exaggerated they are makes those puffs more acceptable. And, once again, the simple twisted-rib section shows to good advantage in a simple solid yarn.

This last hat is Smith’s Hat, a Ravelry freebie designed by Sanne Kalmbacher. From my first look at the design I imagined Smith’s Hat in a solid, mostly to show off the unusual structure with its twists of ribbing. I knit mine in Plymouth Yarn’s DK Merino Superwash. The colorway is Copper Heather. I see you rolling your eyes already. OK. Heathers are not solids. All I can say is that this “heather” isn’t a heather. It’s a solid. Nice yarn, too.

‘Tis a very strange knit. Which is what drew me to it. It’s given some folks fits to knit. It did for me too but then I found some assistance from other Raveler’s project pages.

The puzzler is how to get that slanted rib panel to slice its way across the hat.

The M1L and M1LP are worked typically, though the abbreviation key sets out the directions in a way I’ve not seen before.

For the M1L, I picked up the horizontal bar from the front, put it on the left needle point, and knit it through the back loop.

For the M1LP, I picked up the horizontal bar from the front, put it on the left needle point, and purled it through the back loop. Purling through the back is an unpleasant maneuver. Sharp needle points make it easier. Purling through the back closes up a little hole that will otherwise appear in a rather prominent place.

There is a horizontal bar to pick up on every round. Especially at the beginning, it’s a little hard to see. It’s a bit tucked to the nonpublic side, maybe because there’s some pulling going on from all this stitch manipulation.

My fairy godmother on this project is Raveler ESB4. Ethel has line-by-line instructions on her Ravelry Smith’s Hat project page for rounds 6-11 as you leave the twist and form the M1Ls. They work perfectly. Basically, Rounds 6-8 create 3 stitches as you exit the twist, and 3 disappear just before you enter the twist as a result of knit 2 togethers. Same for rounds 9-11. The first trio of rounds creates a set of 3 knits, while the last trio creates a set of 3 purls. As those trios “grow” they become a full 3-stitch vertical rib. I know that if you haven’t already knit this it’s probably not making much sense. But it all works out.


I’m not thrilled with the crown decreases, especially at the start. But that very prominent line of decreases mostly fades into the background once it’s on a head. Felted Head says the hat is quite cozy.

I’ve been doing a good bit of knitting with solids partly because I’ve been gravitating to lots of texture in my knits. Both are good trends. Comforting. Soothing. With nothing to hurt your eyeballs.